{"id":19793,"date":"2026-06-01T16:11:48","date_gmt":"2026-06-01T20:11:48","guid":{"rendered":"https:\/\/sporobole.org\/artiste\/alexandre-roy-fictions-ia\/"},"modified":"2026-06-12T11:47:11","modified_gmt":"2026-06-12T15:47:11","slug":"alexandre-roy-fictions-ia","status":"publish","type":"standish_artistes","link":"https:\/\/sporobole.org\/en\/artist\/alexandre-roy-fictions-ia\/","title":{"rendered":"Alexandre Roy"},"content":{"rendered":"\n<p>Artiste num\u00e9rique et cin\u00e9aste d\u2019animation ind\u00e9pendant, <strong>Alexandre Roy<\/strong> est fascin\u00e9 par la relation<br>entre l\u2019image fixe et l\u2019image en mouvement, le principe \u00e0 la base m\u00eame de l\u2019existence du cin\u00e9ma.<br>Il a pratiqu\u00e9 de nombreuses techniques comme la peinture sur film 35 mm, le dessin anim\u00e9 ou<br>l\u2019animation de sable sur table lumineuse, ainsi que le tournage de fiction en prise de vue r\u00e9elle. C\u2019est<br>le visionnement du film <em>Empreintes<\/em> de Jacques Drouin en 2004 qui attise son int\u00e9r\u00eat pour la<br>technique de l\u2019\u00e9cran d\u2019\u00e9pingles. En 2018, il a la chance d\u2019utiliser le SPINAE, un \u00e9cran d\u2019\u00e9pingles<br>moderne d\u00e9velopp\u00e9 par Alexandre Noyer, pour produire le court-m\u00e9trage <em>Jim Zipper<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Artiste num\u00e9rique et cin\u00e9aste d\u2019animation ind\u00e9pendant, Alexandre Roy est fascin\u00e9 par la relationentre l\u2019image fixe et l\u2019image en mouvement, le principe \u00e0 la base m\u00eame de l\u2019existence du cin\u00e9ma.Il a pratiqu\u00e9 de nombreuses techniques comme la peinture sur film 35 mm, le dessin anim\u00e9 oul\u2019animation de sable sur table lumineuse, ainsi que le tournage de&#8230;<\/p>\n","protected":false},"author":33,"featured_media":19817,"template":"","meta":{"_acf_changed":true,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kadence_starter_templates_imported_post":false,"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false},"acf":[],"taxonomy_info":[],"featured_image_src_large":["https:\/\/sporobole.org\/wp-content\/uploads\/2026\/06\/Faces_Fictions_IA-2.png",1080,1080,false],"author_info":{"display_name":"Sophie Drouin","author_link":"https:\/\/sporobole.org\/en\/author\/sophie-drouin\/"},"comment_info":"","_links":{"self":[{"href":"https:\/\/sporobole.org\/en\/wp-json\/wp\/v2\/standish_artistes\/19793"}],"collection":[{"href":"https:\/\/sporobole.org\/en\/wp-json\/wp\/v2\/standish_artistes"}],"about":[{"href":"https:\/\/sporobole.org\/en\/wp-json\/wp\/v2\/types\/standish_artistes"}],"author":[{"embeddable":true,"href":"https:\/\/sporobole.org\/en\/wp-json\/wp\/v2\/users\/33"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sporobole.org\/en\/wp-json\/wp\/v2\/media\/19817"}],"wp:attachment":[{"href":"https:\/\/sporobole.org\/en\/wp-json\/wp\/v2\/media?parent=19793"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}